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Email Writing Tips from Spammers

email spam

Image by Sean MacEntee via Flickr

We all hate spam.  It fills up our inboxes, it takes time to delete, and it’s irritating to plow through it all to get rid of it.

Surprisingly, you can learn quite a few email writing tips from a spammer.

They may be slimy, but they are good at marketing.  And you can adapt their strategies for much less nefarious purposes.

What are spammers good at?

Heart-pounding subject lines

They write subject lines that immediately grab your attention and elevate your pulse rate.   I recently got one purportedly from Paypal.  It said, “Receipt for your payment to Avira.”  I’d made no such payment.

It was a trick to get me to open the email.  They wanted me to login to Paypal, through their fake link. This would give the spammer my password information and likely enable them to clean out my account.

I didn’t do it, but it certainly got my attention! And getting attention is the first rule of marketing.

Relevant and immediate messages

The message was relevant and important, since I do have a Paypal account and certainly want to keep track of any payments.

It had a cleverly disguised call for action. The idea was to look at it, think payment?! What payment?! And then click the link in a panic to run and check. Because who wants unauthorized payments? Nobody.

Authority

The email looked trustworthy at first glance.  The “from” field said “Paypal.” The subject line was in the same format as legitimate emails from Paypal.  People know and trust Paypal. The spammers were borrowing Paypal’s familiarity and trustworthiness in order to steal.

I certainly don’t recommend that you steal or lie, but you can adapt these tactics for more respectable uses.

  • Use your subject line to get attention.
  • Send relevant messages.
  • Build up your authority
  • Develop your readers’ trust
  • Create a recognizable brand so readers will recognize your name and open your messages

How to Hire a Graphic Designer

Need a new logo?  Or illustrations for your web site? Maybe a brochure?

Not sure how to hire a graphic designer?  Or what to look for?

An artist's tools

Image by Stepheye via Flickr

You can search on Google or elance for ‘graphic designer’ or ‘logo design” and get a long list of designers anxious to be hired.  But are they any good?  And do they have the right skills for your job?

Here’s how to sort through all those names and hire the designer who is right for you.

Offline or online skills

Brochures require different skills than web design.  Web mistakes are easy to fix.  Printing errors are costly and time-consuming.  Ask them if they have experience with the type of project you have in mind.

Think about how your design will be used.  Web only? Or web and print? Low-resolution images are OK on the web, but will look awful in print. Web colors and print colors are generated differently, so colors will look different in print than they do on the web.

Design style

What sort of “style” do they have?  Closer to a cartoon? Or more like a painting?  Look for a designer whose portfolio matches the result you have in mind.  A designer who specializes in anime might not be a good fit for an insurance company.

Process

How do they work?  Do you chat in advance? Give them some background on what you’re looking for, the kinds of other sites/brochures you like?  How many design ideas are included?

If you will be using photos, who is responsible for finding them (and getting permission to use them)?

Payment

Normally, a designer will ask for a portion of the total price upfront, then an additional payment when they present design ideas, and a third on completion and approval.

Your vision

What colors do you want to use?  Have you chosen a style?  Do you want any specific elements (all type, type and graphic images, fire engines, wizards)? How is your business different?  How do  you want to convey that through color and design?

Get recommendations

Ask to see samples of their work.  Contact references, and look for testimonials.  Or, check my resources section. If you don’t find what you’re looking for, send me an email.

Tuesday Travels: Fun Tools for Freelancers

Mission Statement

Image by dipfan via Flickr

How to write (or not write) 404 error pages, mission statements, and make your own mini “movies” (no actual skill required).

Entertaining 404 pages – don’t just redirect people, show a little personality

Bad mission statement generator – write like the big, giant corporations do (or not)

Buzzword generator – you too can create gobbledygook

Text to movie – if you can type you can make a “movie”

The Single Piece of Paper That Can Turn Tough Clients Into Easy Ones

Ever have this problem? A client comes to you and wants some design work, or a new website. They expect ideas (and lots of them), but give you little direction. As time goes on, they get harder and harder to work with.

Image via Wikipedia

Sometimes they don’t know what they want.  On other occasions, they have ideas, but have a great deal of difficulty expressing them in creative terms.

Both the client and the designer (or developer) can end up being pretty frustrated with each other.  It can even doom the entire project.

So, how do you turn tough clients into easy ones?

It can be done, it just takes a bit of thought, some planning, and the willingness to try to meet the client on his/her terms.

What does the client want?

It’s tough for the designer to focus when you don’t know what the client is thinking. And, it’s hard for your client when they want something from you (and don’t get it). The best way to find out what they want is also the simplest.  Ask them.  Have them write it down (it often helps people focus their ideas).

Where are the ideas?

Or, you’re on the other side of the fence. You want ideas from your designer, but you’re frustrated because they’re only doing what you tell them (following instructions), when what you really want is some creative sparks. Why don’t they just give me what I really want, you cry!

If you’re a client, the designer can’t help unless you give them direction.  The more specific, the better.  It doesn’t have to be specific design directions (that’s their skill), but it does help if they understand who you want to reach, the image you want to project, and how you see your company.

The one-page answer

Larger agencies often use a “creative brief” for projects. It tells the designer, and you, what you’re looking for, and what you want to accomplish.

It’s a great way to focus your mind, and theirs. It reduces frustration, and gives everyone a starting point for discussions.

How to write a creative brief

The brief spells out some basic questions about marketing, design, and goals. Here are some questions to get you started (feel free to adapt them to fit your own needs):

  • What’s the problem/market situation?
  • What’s the opportunity? How are you different? How will the design (or site) convey that?
  • Who’s your target audience? (age, gender, job, interests, problems, pain points, etc)
  • What problem do you solve?
  • What are the primary features/benefits of your product/service?
  • Who is the competition? What are their strengths and weaknesses? Claims? Benefits?
  • What sort of style are you looking for? What other sites do you like?
  • What are the due dates for each stage (initial consultation, creative brainstorming, initial sketches/comps, presentation of ideas, approval, delivery)?
  • Do you need additional resources (talent, photos, etc).?

Put it all in writing, agree on it, and the whole process should go much more smoothly.  If you need a guide for this, you can download a free creative brief template.

Here’s to the Crazy Ones – Thank You Steve

Thank you Steve.

Edit: after some thought, I decided to share two stories.

I got my first Mac in 1988. My boss bought them. I’d been using computers since 1969, and hated them. I had never used a Mac. It sat in the box for weeks. IT was supposed to set it up, but kept dragging their feet.

Finally, I decided to do it myself. I had used mainframes, terminals, and computerized typewriters for years, but never set one up. A few minutes later, I had it up and running. Even networked it to my bosses’ printer. It was as if I’d been using it for years. I loved it!

Some time later (same job), we were working on a big project for IBM. At that time, all PCs had limited fonts and very few graphics. But, our Macs had lots of fonts, desktop publishing (Quark 1.0), and drawing tools too (MacDraw!).

We put together a huge presentation, with manuals and training materials (under really adverse conditions too – the copier drowned) and sent it off. I wanted to put tiny apple logos on the pages or the cover sheets, but my boss wouldn’t let me.

After everything arrived, we got a phone call from IBM, “How did you do this!??? It’s amazing!”

Yes, it was.